There’s little skill in Korine’s morosely lifelike dialogue, while character motivation is keyed to overplaying primal urges in response to living conditions that, but for one, are more pathetic than palpably unbearable. (Mike Apaletegui) and riding him as if the Kentucky Derby were at stake. As soon as Dad leaves the house, however, she’s tying up her b.f. Most prominent girl is Peaches (Tiffany Limos), a superficially sweet and demure creature who looks just like her late mother and is therefore rather too tenderly adored by her religious fanatic father (Julio Oscar Mechoso). It’s Ransome who gets to perform a solo rendition of “In the Realm of the Senses” before doing what it took two Menendez brothers to do. Rounding out the collection of male misfits is Tate (James Ransome), a tall, skinny boy whose grandparents are doing their mild-mannered best to raise him, even though that’s not nearly good enough. Claude (Stephen Jasso) lives in miserable terror of his hulking alcoholic, unemployed dad (Wade Andrew Williams), who thinks nothing of stomping on his beloved skateboard and threatening him physically.
KEN PARK MOVIE ONLINE DAILYMOTION TV
Set in the central California town of Visalia, action moves from the startling violence of the opening to narrator Shawn (James Bullard) performing extensive oral favors on pretty blond housewife Rhonda (Maeve Quinlan), while her youngest daughter is plunked in front of the TV watching thonged models. “Kids” had the advantage, however, of a genuinely unnerving narrative hook, while “Ken Park,” for all its vaunted sympathy for the kids it portrays, increasingly feels like a bunch of scenes included for the primary reason that their like hasn’t been seen before.įocus this time is on adolescents whose domestic lives are beyond screwed up. Films are similar in their matter-of-fact look at teens doing things that older folk prefer not to think about them doing, and in their aesthetic attractiveness. More explicit but less “shocking” than Clark’s 1995 debut feature “Kids,” “Ken Park” was also written by Harmony Korine and was originally intended as Clark’s first picture until “Kids” financing came along. distrib could generate decent mileage with the film as an unrated specialized attraction.
With attention-grabbing controversy and a measure of critical praise in store, international sales will be strong to territories without censorship restraints, and an enterprising U.S.
Beautifully crafted but emotionally dispiriting and alienating in its insistence on spotlighting only the negative aspects of life, this Euro-financed contribution to contempo Americana resembles certain recent French films in its unblinking depiction of raw sex. Exploitative, deliberately provocative pornography? Courageous revelation of the secret life of teens? Calculated sensationalism? Telling it like it is? These are the arguments that will inevitably cause fur to fly anywhere in the vicinity of “Ken Park,” a sexually explicit slab of teenage ennui from that self-proclaimed expert on the skateboard set, Larry Clark, working this time in tandem with ace cinematographer Ed Lachman. Then there’s a teenage boy graphically servicing his girlfriend’s mom the “good girl” daughter of a Bible-quoting dad who’s really a bondage-loving nympho the autoerotic asphyxiation freak who masturbates in loving close-up before stabbing his grandparents to death in their bed and the drunken macho father who sexually assaults his sleeping son.
The picture begins with the title character blowing his brains out one sunny day at a park.
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